Constellations corporelles
“Constellations corporelles” brings together four highly ambitious pieces by artists wielding music, the body and unusual aspects of staging.
Alexis Blais presents a piece for violin viola and speakers placed on the audience’s lap, inspired by the interactions observed between a comedian and his audience.
Gabo Champagne and Rebecca Gray present a piece of musical theater that pushes the emotional limits of the audience, and the physical limits of the singer, by fusing classical singing with performance art.
Jean-Philippe Jullin collaborates with dancer Ariane Levasseur to present an audio-visual performance that explores various relational paradigms where the boundary between artist and machine becomes blurred.
The duo Gabriela Tomé and Christophe Lengelé offer a performance of electronic music, guitar, visuals and voice, inspired by the theory of black holes and cosmic forces.
At the end of each concert, post-show discussions allow spectators to ask the artists their questions. This allows the public a better understanding of the works presented and the artistic approaches of the artists programmed with a perspective of exchange, sharing and democratization of contemporary musical works.
Accessibility
Concert: flashing light/strobe
Mobility: 3 staircases, no elevator
Toilets: non-genred, non-accessible
PROGRAM
Alexis Blais “Crowdwork” for violin and electronics, 2025 (10′)
- Alexis Blais, composition
- Hélios Paradis, violin
Gabo Champagne/Rebecca Gray “Funnelleries” for voice and electronics, 2025 (25′)
- Gabo Champagne, composition
- Rebecca Gray, composition and voice
Jean-Philippe Jullin “Spectra” for body and audiovisual system, 2024 (15′)
- Jean-Philippe Jullin, composition
- Ariane Levasseur, dance
Gabriela Tomé and Christophe Lengelé “Caos Celestial de Archivos” for electronics, guitar and voice, 2024 (25′)
- Gabriela Tomé, composition and guitar
- Christophe Lengelé, composition and electronics
