Codes d’acc\u00e8s presents chamber music pieces by composers Tom\u00e1s D\u00edaz Villegas and Libert\u00e9-Anne Lymberiou.<\/p>\n\n\n\n
Tom\u00e1s D\u00edaz Villegas’ \u201cCanci\u00f3n\u201d is a tribute to Chet Baker’s late, fragile and delicate vocals, in particular those featured on the soundtrack of \u201cThe Chet Baker Story – Let’s Get Lost\u201d, a documentary made towards the end of the jazzman’s life.<\/p>\n\n\n\n
Libert\u00e9-Anne’s FROTAE, \u201cFor Reasons of Tone and Economy\u201d, acts as composer Libert\u00e9 Anne’s musical incubator for these large ensemble works, which are performed by her long-standing group, the Libert\u00e9 Big Band.<\/p>\n\n\n\n
FROTAE’s acoustic, close-to-the-audience music is designed to convey the physical and auditory sensations easily created by the saxophone, in the hope of creating a visceral reaction in the listener. The group’s current repertoire contains jazz idioms, contemplative drones, harmonic textures, meditative ostinatos and collective improvisation, all inspired by various microtonal explorations.<\/p>\n\n\n\n
At the end of each concert, post-show discussions allow spectators to ask the artists their questions. This allows the public a better understanding of the works presented and the artistic approaches of the artists programmed with a perspective of exchange, sharing and democratization of contemporary musical works.<\/p>\n\n\n\n
The composer of FROTAE invites the public to bring a yoga mat, floor mattress or cushion to comfortably enjoy the sound experience she is preparing for you!<\/strong><\/p>\n\n\n\n Program<\/strong><\/p>\n\n\n\n Libert\u00e9-Anne Lymberiou, FROTAE vol2, for 5 saxophones, soprano, alto, 2 tenors, baritone (45\u2019), 2024.<\/p>\n\n\n\n Codes d’acc\u00e8s presents chamber music pieces by composers Tom\u00e1s D\u00edaz Villegas and Libert\u00e9-Anne Lymberiou. Tom\u00e1s D\u00edaz Villegas’ \u201cCanci\u00f3n\u201d is a…<\/p>\n","protected":false},"author":30,"featured_media":2505,"template":"","meta":{"_acf_changed":true,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kadence_starter_templates_imported_post":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false},"standish_evenements_category":[],"class_list":["post-2636","standish_evenements","type-standish_evenements","status-publish","has-post-thumbnail","hentry"],"acf":[],"taxonomy_info":[],"featured_image_src_large":["https:\/\/codesdacces.org\/wp-content\/uploads\/2024\/09\/Frotae-Vol2_1080x1080px_wordpress-43.webp",1080,1080,false],"author_info":{"display_name":"maryse","author_link":"https:\/\/codesdacces.org\/en\/author\/maryse\/"},"comment_info":"","_links":{"self":[{"href":"https:\/\/codesdacces.org\/en\/wp-json\/wp\/v2\/standish_evenements\/2636","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/codesdacces.org\/en\/wp-json\/wp\/v2\/standish_evenements"}],"about":[{"href":"https:\/\/codesdacces.org\/en\/wp-json\/wp\/v2\/types\/standish_evenements"}],"author":[{"embeddable":true,"href":"https:\/\/codesdacces.org\/en\/wp-json\/wp\/v2\/users\/30"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/codesdacces.org\/en\/wp-json\/wp\/v2\/media\/2505"}],"wp:attachment":[{"href":"https:\/\/codesdacces.org\/en\/wp-json\/wp\/v2\/media?parent=2636"}],"wp:term":[{"taxonomy":"standish_evenements_category","embeddable":true,"href":"https:\/\/codesdacces.org\/en\/wp-json\/wp\/v2\/standish_evenements_category?post=2636"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Tom\u00e1s D\u00edaz Villegas, Canci\u00f3n, for two cellos, accordion and trumpet (10′), 2023.<\/p>\n\n\n\n\n
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