{"id":2761,"date":"2024-08-14T15:01:24","date_gmt":"2024-08-14T19:01:24","guid":{"rendered":"https:\/\/codesdacces.org\/evenement\/masse-2022-in-quest-of-spirit\/"},"modified":"2024-12-02T11:52:21","modified_gmt":"2024-12-02T16:52:21","slug":"masse-2022-in-quest-of-spirit","status":"publish","type":"standish_evenements","link":"https:\/\/codesdacces.org\/en\/event\/masse-2022-in-quest-of-spirit\/","title":{"rendered":"Masse 2022 :\u00a0In Quest of Spirit"},"content":{"rendered":"\n<p><em>In Quest of Spirit&nbsp;<\/em>explore les relations fondamentales entre musique, spiritualit\u00e9, tradition et innovation dans un concert sans interruption r\u00e9fl\u00e9chi sous forme de procession musicale. Con\u00e7u dans la continuit\u00e9, le programme place la jeune cr\u00e9ation aux c\u00f4t\u00e9s d\u2019arrangements de l\u2019\u0153uvre de Bach, entrem\u00eal\u00e9 de sonorit\u00e9s \u00e9lectroniques. Chaque \u0153uvre pr\u00e9sente ainsi un rapport \u00e0 la spiritualit\u00e9 et \u00e0 sa place dans la litt\u00e9rature musicale.<\/p>\n\n\n\n<p>L\u2019\u0153uvre de Bach y figure de fa\u00e7on centrale, symbole d\u2019une tradition religieuse des musiques occidentales. D\u2019abord, on la retrouve sous forme d\u2019arrangements r\u00e9alis\u00e9s par Quentin Lauvray, sur lesquels des bribes de traitement \u00e9lectronique rev\u00eatent l\u2019aura d\u2019un monde spirituel intangible. L\u2019\u0153uvre inspire aussi la cr\u00e9ation d\u2019interludes de la part d\u2019Audr\u00e9anne Filion et Pedram Diba, sortes de dialogues m\u00e9ditatifs entre la musique sacr\u00e9e du pass\u00e9 et les d\u00e9veloppements de la musique de cr\u00e9ation.<\/p>\n\n\n\n<p>\u00c0 cet effet, deux \u0153uvres r\u00e9centes et deux cr\u00e9ations s\u2019affichent au c\u0153ur du concert :<\/p>\n\n\n\n<p>D\u2019abord,&nbsp;<em>Klavierst\u00fcck IX<\/em>&nbsp;introduit le programme par la lutte incessante du pianiste \u00e0 sortir d\u2019un monde clos et obsessif.<\/p>\n\n\n\n<p>Par la suite,&nbsp;<em>Naked Question<\/em>, cr\u00e9ation de Yulin Yan pour violoncelle et \u00e9lectronique en direct, se base sur une r\u00e9flexion spirituelle personnelle, tandis que&nbsp;<em>The Stars<\/em>&nbsp;de la compositrice Xue Han offre une contemplation sur la lumi\u00e8re lointaine des \u00e9toiles.<\/p>\n\n\n\n<p>Enfin, Quentin Lauvray propose une \u0153uvre pour alto et \u00e9lectronique en direct intitul\u00e9e&nbsp;<em>Laudato Si<\/em>, dans laquelle l\u2019alto se joint \u00e0 des sons d\u2019animaux (certains imaginaires) pour grogner, respirer et chanter un chant gr\u00e9gorien renouvel\u00e9<\/p>\n\n\n\n<p>Ces \u0153uvres, jumel\u00e9es aux arrangements et aux interludes, \u00e9tablissent un parcours sonore d\u2019une grande coh\u00e9sion malgr\u00e9 l\u2019\u00e9tendue de son registre. Elles rassemblent les musiques anciennes et contemporaines et cr\u00e9ent des ponts entre diverses spiritualit\u00e9s pour \u00e9voquer la force transcendantale de la musique.<\/p>\n\n\n\n<p>Programme :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Karlheinz STOCKHAUSEN\u00a0<\/strong>:\u00a0<em>Klavierst\u00fccke IX<\/em>, pour piano solo (10\u2019). 1961. Allemagne. Reprise<\/li>\n\n\n\n<li><strong>Andr\u00e9anne FILION :\u00a0<\/strong><em>Interpolation I<\/em>, pi\u00e8ce acousmatique (2\u2019). 2022. Canada. Premi\u00e8re<\/li>\n\n\n\n<li><strong>Yulin YAN :\u00a0<\/strong><em>Naked Question<\/em>, pour violoncelle et \u00e9lectronique en direct (9\u2019). Chine. Premi\u00e8re<\/li>\n\n\n\n<li><strong>Pedram DIBA :\u00a0<\/strong><em>Interpolation II<\/em>, pi\u00e8ce acousmatique (2\u2019). 2022. \u00c9tats-Unis-Iran. Premi\u00e8re<\/li>\n\n\n\n<li><strong>Xue HAN :\u00a0<\/strong><em>The Stars<\/em>, pour alto, violoncelle et piano (13\u2019). 2018. Chine. Reprise<\/li>\n\n\n\n<li><strong>J.S. BACH, arr. Quentin LAUVRAY :\u00a0<\/strong><em>Arrangements pour trio\u00a0<\/em>(13\u2019). 2022. France. Premi\u00e8re\n<ul class=\"wp-block-list\">\n<li>\u00ab\u00a0Der Tag, der ist so freundenreich \u00bb, extrait du\u00a0<em>Orgelb\u00fcchlein<\/em>\u00a0pour orgue (1713)<\/li>\n\n\n\n<li>\u00ab\u00a0Wir eilen\u00a0\u00bb, extrait de la cantate\u00a0<em>Jesu, der du meine Seele<\/em>\u00a0pour deux voix et basse continue (1724)<\/li>\n\n\n\n<li>\u00ab\u00a0Durch Adams Fall ist ganz verderbt \u00bb, extrait du\u00a0<em>Orgelb\u00fbchlein<\/em>\u00a0pour orgue (1717)<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><strong>Quentin LAUVRAY :\u00a0<\/strong><em>Laudato Si<\/em>, pour alto et \u00e9lectronique en direct (10\u2019). 2022. France. Premi\u00e8re<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>In Quest of Spirit&nbsp;explore les relations fondamentales entre musique, spiritualit\u00e9, tradition et innovation dans un concert sans interruption r\u00e9fl\u00e9chi sous&#8230;<\/p>\n","protected":false},"author":30,"featured_media":2410,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kadence_starter_templates_imported_post":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false},"standish_evenements_category":[],"class_list":["post-2761","standish_evenements","type-standish_evenements","status-publish","has-post-thumbnail","hentry"],"acf":[],"taxonomy_info":[],"featured_image_src_large":["https:\/\/codesdacces.org\/wp-content\/uploads\/2024\/08\/315543784_5652867908154008_2835850582355489809_n.jpg",1440,1440,false],"author_info":{"display_name":"maryse","author_link":"https:\/\/codesdacces.org\/en\/author\/maryse\/"},"comment_info":"","_links":{"self":[{"href":"https:\/\/codesdacces.org\/en\/wp-json\/wp\/v2\/standish_evenements\/2761","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/codesdacces.org\/en\/wp-json\/wp\/v2\/standish_evenements"}],"about":[{"href":"https:\/\/codesdacces.org\/en\/wp-json\/wp\/v2\/types\/standish_evenements"}],"author":[{"embeddable":true,"href":"https:\/\/codesdacces.org\/en\/wp-json\/wp\/v2\/users\/30"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/codesdacces.org\/en\/wp-json\/wp\/v2\/media\/2410"}],"wp:attachment":[{"href":"https:\/\/codesdacces.org\/en\/wp-json\/wp\/v2\/media?parent=2761"}],"wp:term":[{"taxonomy":"standish_evenements_category","embeddable":true,"href":"https:\/\/codesdacces.org\/en\/wp-json\/wp\/v2\/standish_evenements_category?post=2761"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}