{"id":2764,"date":"2024-08-14T13:18:42","date_gmt":"2024-08-14T17:18:42","guid":{"rendered":"https:\/\/codesdacces.org\/evenement\/fabric-que\/"},"modified":"2024-12-02T11:53:18","modified_gmt":"2024-12-02T16:53:18","slug":"fabric-que","status":"publish","type":"standish_evenements","link":"https:\/\/codesdacces.org\/en\/event\/fabric-que\/","title":{"rendered":"Fabric\/que"},"content":{"rendered":"\n

\u2018fabric\/que\u2019 regroupe des \u0153uvres d\u2019esth\u00e9tiques et instrumentations bien h\u00e9t\u00e9roclites, mais qui ont \u00e9t\u00e9 inspir\u00e9es par une pr\u00e9occupation commune : qu\u2019est-ce qui nous constitue, quels \u00e9l\u00e9ments du pass\u00e9 ou de notre environnement influencent notre construction individuelle ou collective? Le mat\u00e9riel m\u00e9lodique de Stained Glass, Caustic Fly<\/em> de Philippe Macnab-S\u00e9guin<\/strong> est d\u00e9riv\u00e9 d\u2019un chant gr\u00e9gorien, h\u00e9ritage d\u2019une religion au pass\u00e9 complexe sur le territoire Qu\u00e9b\u00e9cois. Mycelia<\/em> de Lily Koslow <\/strong>r\u00e9f\u00e8re au r\u00e9seau racinaire souterrain cr\u00e9\u00e9 par les champignons et qui joue un r\u00f4le crucial dans l\u2019\u00e9cosyst\u00e8me. Gabo Champagne<\/strong> nous transporte, avec Hui, heur, nuit<\/em>, dans ses souvenirs d\u2019enfance pour retrouver les traces de son \u00e9volution vers l\u2019\u00e2ge adulte. Le collectif Trajectories<\/strong> interpr\u00e9tera quatre titres de leur album Blood & Breath<\/em>, produit pendant la pand\u00e9mie en 2020-2021 retra\u00e7ant \u00e0 la fois l\u2019isolement et la r\u00e9silience qui ont caract\u00e9ris\u00e9 cette p\u00e9riode troublante et transformatrice.<\/p>\n\n\n\n

Mycelia<\/em> a \u00e9t\u00e9 s\u00e9lectionn\u00e9 par le CArt de Codes d\u2019acc\u00e8s \u00e0 travers un partenariat avec le Vivier Interuniversitaire (ViU).<\/p>\n\n\n\n

Partenaire sp\u00e9cial : Vivier Interuniversitaire<\/p>\n\n\n\n

\n\n\n\n

PROGRAMME<\/strong><\/p>\n\n\n\n

Philippe Macnab-S\u00e9guin<\/strong>, Stained Glass, Caustic Fly<\/em>, pour piano, clavier midi et \u00e9lectroniques (13\u2019), 2021. Reprise. <\/p>\n\n\n\n

Philippe Macnab-S\u00e9guin<\/strong> (il\/he\/him), composition <\/p>\n\n\n\n

Mai Miyagaki<\/strong> (elle\/she\/her), piano (clavier midi) <\/p>\n\n\n\n

Alexey Shafirov<\/strong> (il\/he\/him), piano<\/p>\n\n\n\n

Lily Koslow<\/strong>, Mycelia<\/em>, pour violon, alto, violoncelle, et piano (8\u201930\u201d). 2022. Reprise.<\/p>\n\n\n\n

Lily Koslow<\/strong> (they\/them), composition<\/p>\n\n\n\n

Bailey Wantuch<\/strong> (elle\/she\/her), violin <\/p>\n\n\n\n

Audr\u00e9anne Filion<\/strong> (elle\/she\/her), cello <\/p>\n\n\n\n

Magali Gavazzi-April<\/strong> (elle\/she\/her), viola <\/p>\n\n\n\n

Elissa Nakhleh<\/strong> (elle\/she\/her), piano<\/p>\n\n\n\n

Gabo Champagne<\/strong>, Hui, heur, nuit<\/em>, pour piano, sifflements, \u00e9lectroniques, vid\u00e9o (15\u2032), 2023. Reprise.<\/p>\n\n\n\n

Gabo Champagne<\/strong> (elle\/iel) : composition et interpr\u00e9tation musicale<\/p>\n\n\n\n

Guillaume Vall\u00e9e<\/strong> (il\/lui) : vid\u00e9o<\/p>\n\n\n\n

-ENTRACTE-<\/strong><\/p>\n\n\n\n

Trajectories collectiv<\/strong>e : Blood & Breath<\/p>\n\n\n\n

Was It Always There (10\u201933\u00bb) 2023.<\/p>\n\n\n\n

Lobe Life (02\u201950\u201d) 2023.<\/p>\n\n\n\n

Injectionalism (09\u201926\u00bb) 2023<\/p>\n\n\n\n

Loons Over Iami\u2019 (10\u201943\u00bb) 2023.<\/p>\n\n\n\n

Charles Harding<\/strong> (he\/him) : composition, interpr\u00e9tation <\/p>\n\n\n\n

Connor Cook<\/strong> (he\/him) : composition, interpr\u00e9tation <\/p>\n\n\n\n

Malte Leander<\/strong> (he\/him) : composition, interpr\u00e9tation<\/p>\n","protected":false},"excerpt":{"rendered":"

\u2018fabric\/que\u2019 regroupe des \u0153uvres d\u2019esth\u00e9tiques et instrumentations bien h\u00e9t\u00e9roclites, mais qui ont \u00e9t\u00e9 inspir\u00e9es par une pr\u00e9occupation commune : qu\u2019est-ce…<\/p>\n","protected":false},"author":30,"featured_media":2403,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kadence_starter_templates_imported_post":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false},"standish_evenements_category":[],"class_list":["post-2764","standish_evenements","type-standish_evenements","status-publish","has-post-thumbnail","hentry"],"acf":[],"taxonomy_info":[],"featured_image_src_large":["https:\/\/codesdacces.org\/wp-content\/uploads\/2024\/08\/410223020_1387176721920650_1686113277573704838_n.jpeg",1440,1440,false],"author_info":{"display_name":"maryse","author_link":"https:\/\/codesdacces.org\/en\/author\/maryse\/"},"comment_info":"","_links":{"self":[{"href":"https:\/\/codesdacces.org\/en\/wp-json\/wp\/v2\/standish_evenements\/2764","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/codesdacces.org\/en\/wp-json\/wp\/v2\/standish_evenements"}],"about":[{"href":"https:\/\/codesdacces.org\/en\/wp-json\/wp\/v2\/types\/standish_evenements"}],"author":[{"embeddable":true,"href":"https:\/\/codesdacces.org\/en\/wp-json\/wp\/v2\/users\/30"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/codesdacces.org\/en\/wp-json\/wp\/v2\/media\/2403"}],"wp:attachment":[{"href":"https:\/\/codesdacces.org\/en\/wp-json\/wp\/v2\/media?parent=2764"}],"wp:term":[{"taxonomy":"standish_evenements_category","embeddable":true,"href":"https:\/\/codesdacces.org\/en\/wp-json\/wp\/v2\/standish_evenements_category?post=2764"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}