{"id":2949,"date":"2025-08-31T08:00:00","date_gmt":"2025-08-31T12:00:00","guid":{"rendered":"https:\/\/codesdacces.org\/?post_type=standish_evenements&#038;p=2949"},"modified":"2025-11-14T17:32:56","modified_gmt":"2025-11-14T22:32:56","slug":"troubles-et-meandres","status":"publish","type":"standish_evenements","link":"https:\/\/codesdacces.org\/en\/event\/troubles-et-meandres\/","title":{"rendered":"Troubles et m\u00e9andres"},"content":{"rendered":"\n<p><em>Ce concert est pr\u00e9sent\u00e9 en codiffusion avec le Groupe Le Vivier.<\/em><\/p>\n\n\n\n<p>Le concert de musique \u00e9lectroacoustique <em>Troubles et m\u00e9andres<\/em> pr\u00e9sente une multitude d\u2019artistes innovant[e]s dont les \u0153uvres brouillent les pistes des conventions musicales et de performance.&nbsp;<\/p>\n\n\n\n<p>L\u2019ensemble de consoles sans-entr\u00e9e, dirig\u00e9 par Alexandre Sasset-Blouin, pr\u00e9sentera \u00ab&nbsp;Transmutations \u00bb. Chaotiques, impr\u00e9visibles et largement associ\u00e9es \u00e0 la musique improvis\u00e9e, la console est ici utilis\u00e9e dans un contexte de musique \u00e9crite et reproduisible. <\/p>\n\n\n\n<p>Dans sa pi\u00e8ce \u00ab&nbsp;Hollow Points&nbsp;\u00bb, Kasey Pocius s\u00e9pare les composantes d\u2019un enregistrement pour ensuite les recombiner en une nouvelle pi\u00e8ce. <\/p>\n\n\n\n<p>Melissa Tremblay interpr\u00e9tera une pi\u00e8ce de Jules Bastin-Fontaine, qui est pour le compositeur une \u00e9tude sur l\u2019instance, m\u00e9langeant son instrumental, distorsion et musique \u00e9lectronique.<\/p>\n\n\n\n<p>The audience will also be able to hear pieces by the two winners of the Codes d&#8217;acc\u00e8s x PRIM 2024 and 2025 residencies: B\u00e9n\u00e9dicte and Amelya. B\u00e9n\u00e9dicte will present \u201cRetrivering Currents,\u201d a piece broadcast in home theater mode (5.1.4) that features aquatic landscapes. Amelya will present \u201cTu sens la m\u00eame chose,\u201d a piece combining immersive music, poetry, and visual art, inspired by feelings of self-love, community, and identity, all colored by Afrofuturist influences.  <\/p>\n\n\n\n<p>\u00c0 la fin de chaque concert, les discussions post-spectacle permettent aux spectateur[trice]s de poser leurs questions aux artistes. Ceci permet au public de mieux comprendre les \u0153uvres pr\u00e9sent\u00e9es et les d\u00e9marches artistiques des artistes programm\u00e9[e]s dans une perspective d\u2019\u00e9change, de partage et de d\u00e9mocratisation des \u0153uvres musicales contemporaines.<\/p>\n\n\n<style>.wp-block-kadence-spacer.kt-block-spacer-2949_fafc93-4d .kt-block-spacer{height:60px;}.wp-block-kadence-spacer.kt-block-spacer-2949_fafc93-4d .kt-divider{border-top-width:1px;height:1px;border-top-color:#eee;width:80%;border-top-style:solid;}<\/style>\n<div class=\"wp-block-kadence-spacer aligncenter kt-block-spacer-2949_fafc93-4d\"><div class=\"kt-block-spacer kt-block-spacer-halign-center\"><hr class=\"kt-divider\"\/><\/div><\/div>\n\n\n\n<p><em>Accessibility<\/em><\/p>\n\n\n\n<p>Concert: flashing lights or strobes, very loud sound volumes or sudden increases in volume, warnings for sensitive subjects (violence, aggression, discrimination, war, unrest, disasters, etc.)<\/p>\n\n\n\n<p>Mobility: accessible elevator<\/p>\n\n\n\n<p>Toilets: gendered, accessible<\/p>\n\n\n<style>.wp-block-kadence-spacer.kt-block-spacer-2949_aca01e-0d .kt-block-spacer{height:60px;}.wp-block-kadence-spacer.kt-block-spacer-2949_aca01e-0d .kt-divider{border-top-width:1px;height:1px;border-top-color:#eee;width:80%;border-top-style:solid;}<\/style>\n<div class=\"wp-block-kadence-spacer aligncenter kt-block-spacer-2949_aca01e-0d\"><div class=\"kt-block-spacer kt-block-spacer-halign-center\"><hr class=\"kt-divider\"\/><\/div><\/div>\n\n\n\n<p class=\"has-text-align-left\">PROGRAM<\/p>\n\n\n\n<p>Alexandre Sasset-Blouin &#8220;Permutations&#8221; for quintet of input-less mixing consoles, 2024 (9&#8217;30&#8221;)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Alexandre Sasset-Blouin, composition<\/li>\n\n\n\n<li>David Caulet,&nbsp;console sans-entr\u00e9e<\/li>\n\n\n\n<li>Antoine Morin,&nbsp;console sans-entr\u00e9e<\/li>\n\n\n\n<li>Laurent Pellerin,&nbsp;console sans-entr\u00e9e<\/li>\n\n\n\n<li>Emanuel Brie,&nbsp;console sans-entr\u00e9e<\/li>\n\n\n\n<li>Aur\u00e9lie Th\u00e9roux-S\u00e9n\u00e9cal,&nbsp;console sans-entr\u00e9e<\/li>\n<\/ul>\n\n\n\n<p>Jules Bastin-Fontaine &#8220;Composition for oboe, distortion and fixed sounds&#8221; 2021-2024 (9&#8242;)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Jules Bastin-Fontaine, composition<\/li>\n\n\n\n<li>M\u00e9lissa Tremblay, hautbois<\/li>\n<\/ul>\n\n\n\n<p>Kasey Pocius &#8220;Hollow Point&#8221; fixed media, 2024 (6&#8217;30&#8221;), canadian premiere<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Kasey Pocius, composition<\/li>\n<\/ul>\n\n\n\n<p>Maxime Gordon &#8221; Retrieving Currents, for loud speaker array, 2025 (8&#8242;)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Maxime Gordon, composition<\/li>\n<\/ul>\n\n\n\n<p>Amelya N.S.H. \u00ab&nbsp;Tu sens la m\u00eame chose&nbsp;\u00bb pour parole et musique \u00e9lectronique, 2025 (20&#8242;)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Amelya N.S.H., composition<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Ce concert est pr\u00e9sent\u00e9 en codiffusion avec le Groupe Le Vivier. Le concert de musique \u00e9lectroacoustique Troubles et m\u00e9andres pr\u00e9sente&#8230;<\/p>\n","protected":false},"author":34,"featured_media":3006,"template":"","meta":{"_acf_changed":true,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kadence_starter_templates_imported_post":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false},"standish_evenements_category":[],"class_list":["post-2949","standish_evenements","type-standish_evenements","status-publish","has-post-thumbnail","hentry"],"acf":[],"taxonomy_info":[],"featured_image_src_large":["https:\/\/codesdacces.org\/wp-content\/uploads\/2025\/08\/CA_AfficheSW_1080x1080_Troubles-15-Nov.png",1080,1080,false],"author_info":{"display_name":"artistique@codesdacces.org","author_link":"https:\/\/codesdacces.org\/en\/author\/artistiquecodesdacces-org\/"},"comment_info":"","_links":{"self":[{"href":"https:\/\/codesdacces.org\/en\/wp-json\/wp\/v2\/standish_evenements\/2949","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/codesdacces.org\/en\/wp-json\/wp\/v2\/standish_evenements"}],"about":[{"href":"https:\/\/codesdacces.org\/en\/wp-json\/wp\/v2\/types\/standish_evenements"}],"author":[{"embeddable":true,"href":"https:\/\/codesdacces.org\/en\/wp-json\/wp\/v2\/users\/34"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/codesdacces.org\/en\/wp-json\/wp\/v2\/media\/3006"}],"wp:attachment":[{"href":"https:\/\/codesdacces.org\/en\/wp-json\/wp\/v2\/media?parent=2949"}],"wp:term":[{"taxonomy":"standish_evenements_category","embeddable":true,"href":"https:\/\/codesdacces.org\/en\/wp-json\/wp\/v2\/standish_evenements_category?post=2949"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}